The Gondoliers
Mar 24 @ 7:15 pm – Apr 7 @ 9:00 pm

GSOV’s “The Gondoliers” require male and female ensemble.

Performances May 29-31, June 13
Darebin Arts Centre & Corinella

Auditions: Tuesday March 10, 17, 24 at 7:15pm. At Skipper Holland Hall, Cnr Hunter Drive and McCracken Ave, Blackburn South 3130

Enquiries: Robert Ray (Director) 03 9755 3545 or 0400 229 764

Apr 1 @ 7:30 pm – Apr 25 @ 8:00 pm

Presented by Salty Theatre, Theatre Works and Red Hot Productions, He Who Must Not Be Named apparates to Australian shores this April.

Salty Theatre making a name for itself as an “underground highlight” (Cameron Woodhead – The Age), “someone to watch” (ArtsHub) and “the answer to off-broadway in Melbourne” (Youshouldseeitmelb) bringing beloved pop culture to the fore with humour, grit and little bit of spice. Before Voldemort was, He Who Must Not Be Named, he was just Tom Riddle, another moody teen that couldn’t talk to girls. Join Tom and his Hogwarts classmates on a hilarious musical adventure as he learns the ways of love, proper snake maintenance and the Unforgivable Curses.This Harry Potter musical parody is sure to leave you spellbound! Following two hugely successful back-to-back seasons at The Edinburgh Fringe and sold-out performances at The King’s Head in London, Voldemort And the Teenage Hogwarts Musical Parody hits Australia for the first time ever.

Created by Los Angeles based comedians Zach Reino (A.P. Bio, Crazy Ex-Girlfriend) and Chris Grace (Superstore, This Is Us) and written by Zac Reino, Fiona Landers, Richie Root and Scott Passarella, this hour-long pop-rock musical invites you to experience the world of Hogwarts like you’ve never seen it before. Teen angst, hormones and young love fill the magical halls, along with a few familiar and much-loved characters as they sing about ‘Cutting Your Soul’, ‘Care of Magical Creatures’ and ‘Love That Must Not Be Named’.

The show stars some of Australia’s brightest talent, both seasoned and new to the scene. The magical halls of Hogwarts will be brought to life by LaLa Barlow (Legally Blonde, The Best Little Warehouse in London), Alex Donnelly (Peter Pan, Richard III), Jay Haggett (Shrek, High Fidelity), Stephanie John (Mary Poppins, Nine), Jonathon Shilling (Kinky Boots, Rent), Ashley Taylor (The Sound of Music, Les Miserables) and Guillermo Urra (Evil Dead The Musical, Top Gun! The Musical). Directed and Choreographed by Sarahlouise Younger (Top Gun! The Musical, The Rocky Horror Picture Show) – Musical Direction by David Youings (People Suck, Muriel’s Wedding, Musical Assistant) – Costume and Set Design by Madeline Nibali (Hotel Bonegilla, Lear) – Production Concept by Sarahlouise Younger and Ashley Taylor – Stage Managed by Andrew Hughes (The Importance of Being Earnest, Barnum The Circus Musical, Intern SM).

Running this April at Theatre Works, Voldemort And the Teenage Hogwarts is a raucous musical comedy that lifts up its robes to give you a glimpse into the secret world of witches and wizards. Get your wands ready.

“It is a wizarding-world extravaganza, flourished with unforgivable curses, witty humour and muggle-worthy entertainment. A must-see for Harry Potter fans.” –“

An hour loaded with sharply written Potter-parody, gags every few seconds, stellar singing and comedy.” – FringeReview

Duration 60 Minutes

Warnings (15+) Coarse Language Sexual References Simulated Death

Theatre Works – 14 Acland St, St Kilda

Previews: Wed 1 April, Thurs 2 April, Fri 3 April 7:00

Performances 1st – 25th April, 2020

Tues – Sat 7:00pm, Sun 5pm

Adult – $45 
Concession – $37
 Student/Under 30s – $30



Dear Lover
Apr 16 @ 1:00 pm – Apr 18 @ 9:00 pm
Dear Lover
GTC is proud to present our first show of 2020: ‘Dear Lover,’
‘Dear Lover,’ is a variety show exploring themes of love, sex and intimacy through the music from some of our favourite theatre scores. Through an in depth rehearsal period and a lot of chemistry work, we’re wanting to present a group of people comfortable with intimacy, each able to tell a beautiful story of love and connection.
We’ll be featuring songs from popular shows such as Company, Dear Evan Hansen, Hamilton, The Last Five Years, Heathers and so many more! This will mark GTC’s first ever variety show and will be presented first up on our 2020 program.
Director – Harley Gabriel-Brown
Musical Director – Amaris Lee
Choreographer – Ashleigh Janky
Production Manager – Hannah Bird
Hannah Bird
Sophia Blackburn
Zac Bunn
Connor Jamieson
Leo Ma
Kate McDowell
Luke Peverelle
Tess Whitfort
Emily Yates
16th April 7pm
17th April 7pm
18th April 1pm and 7pm
Early Bird special (ends 1st March) – $25
Adult – $30
Concession – $28
Groups of five or more – $25 each
We can’t wait to see you there!
Please note this show will contain scenes of a sexual nature and therefore is not suitable for those under the age of 18.
All music licensed exclusivly through Apra Australia.
All music arranged by Glen Barnett
May 25 @ 7:00 pm – May 27 @ 10:00 pm

Auditions: 25 May @7:30 to 10:00 p.m., 26 May @ 7:30 to 10:00 p.m.
Author: William Shakespeare
Director: Roderick Chappel
Antonio, a prosperous merchant of Venice in the sixteenth century, is approached by
his old friend Bassanio for a loan. Bassanio wishes to present himself in style and
travel to Belmont, in order to woo Portia, a young and beautiful heiress. Antonio’s
fortune is currently tied up in his trading ships, and he does not have the required
funds in hand. However, he agrees to act as guarantor, if Bassanio can borrow the
money elsewhere. Bassanio approaches Shylock, a Jewish moneylender. Shylock
hates Antonio, who has always treated him with contempt because he is Jewish, and
because he charges interest on money that he lends. However, Shylock agrees to loan
Bassanio 3000 ducats, to be repaid in three months. Pretending that it is a mere jest,
he specifies that the penalty for failure to pay on time will be a pound of Antonio’s
flesh, cut from his breast. Confident that his ships will return to Venice in good time
so that the debt can be repaid, Antonio accepts this condition for the bond.
Shylock’s daughter Jessica elopes with Lorenzo, fleeing her father’s house with much
of her father’s money, with the intention of becoming a Christian. Shylock is furious
at the loss of both his daughter and his ducats.
Under the terms of her late father’s will, no suitor may marry Portia unless they
choose correctly between three caskets, made respectively of gold, silver and lead.
Portia complains to Nerissa, her maid and confidant, about her lack of freedom to
make her own choice of husband. Unsuccessful suitors choose wrongly, and go
disappointed away. Bassanio, with his young friend Gratiano, sails to Belmont, where
Bassanio chooses the correct casket, to Portia’s delight. Portia and Bassanio prepare
to marry, as do Nerissa and Gratiano.
News comes to Belmont that Antonio’s ships have been unexpectedly delayed; he
cannot repay the loan on time, and Shylock will demand his pound of flesh at the
Duke of Venice’s court. Portia and Nerissa disguise themselves as men – a learned
lawyer and her clerk – and travel to Venice, where Portia uses brilliant legal argument
to confound Shylock’s malicious intentions, and save Antonio’s life.
After the trial Portia and Nerissa, still disguised, will accept no payment, but each
asks only for a ring which she has given her husband, who has sworn never to part
with it. Bassanio and Gratiano very reluctantly give the lawyer and clerk these
precious rings. Portia and Nerissa later have fun upbraiding their husbands for giving
away the rings, before the deception is revealed and all ends happily.
Audition Dates and Times:
Monday 25 May, 7:30 to 10 p.m.
Tuesday 26 May, 7:30 to 10 p.m.


Characters Summary:
10-13 M
3-6 F
20 to 29 August 2020

The Merchant of Venice is one of Shakespeare’s best loved plays. This production is
to be set in the original sixteenth century, with period costumes.
The play has approximately 23 named characters, and 11 major roles (with dialogue
in between 5 and 9 of the 20 scenes) need to be played by individual actors. Five
other characters are significant but appear in only one or two of the scenes, and it
would be possible for one actor to play more than of these roles. Two roles that are
nominally male could be played by either a man or a woman. The full cast may
number about 15 or 16, including between 3 and 6 women, depending on the outcome
of the auditions.
Auditions will be open, reading from sections of the script, and there is no
requirement to learn or prepare anything in advance. It will be of assistance if
candidates who have auditioned remain at their audition session to read against other
If you wish to audition, but are unable to make the above-mentioned dates, please get
in touch as we may be able to accommodate other dates.
Please ring or email the Director to book into one of the audition sessions, or with any
questions. Audition pieces can be emailed on request. The script, which has been
trimmed somewhat, can also be emailed on request.


Characters for individual actors:
Antonio (M), the Merchant of Venice. Age flexible, mature personality, serious and
good natured.
Salarino (M or F), Antonio’s friend. Age flexible.
Salanio (M or F), Antonio’s friend. Age flexible.


Portia (F), a young heiress. The largest role in the play: confident, articulate,
passionate, bold, creative and fun-loving.
Nerissa (F), Portia’s young maid, and trusted companion. She is lively and confident,
and a tease.
Bassanio (M), Antonio’s good friend, young to early middle aged. Positive,
forthright and outgoing. He woos and marries Portia.
Gratiano (M), youthful, eloquent, and playful. He marries Nerissa.
Shylock (M), A Jewish money lender, middle aged or older. The largest