It all started in Las Vegas, took London by storm and is about to change everything in Berlin.  Now, Australia… it’s our turn.  Welcome to the world of Channing Tatum’s Magic Mike Live.

Conceived and co-directed by Channing Tatum, Magic Mike Live is a thrilling, sexy, live dance and acrobatic spectacular based on the hit movies Magic Mike and Magic Mike XXLMagic Mike Live will begin its strictly limited run in a brand new, bespoke venue at Birrarung Marr in Melbourne on 26 May before visiting Sydney, Brisbane and Perth.  Equal parts empowering and exhilarating, Magic Mike Live is one of the most unique, immersive live-entertainment experiences in the world.

“The movies did so amazingly here, we knew we had to figure out how to raise our game to do something this audience would love,” said creator and director Channing Tatum.  “It took a few years for it to all come together but … man … did it come together.  We have something planned for Australia that is going to blow your minds.”

Channing is referring not only to the show, which will pull together all the best aspects of the other three productions around the world, but also to the one-of-a-kind venue that the Magic Mike Live team has dreamt up for Australia.  In cooperation with Het Spiegelpaleis in Belgium, the production has created the world’s largest Spiegeltent, named The Arcadia.  Named after the mythical utopia, the Arcadia is a beautiful, two storey, fully-customized, 600-seat venue where every seat, every finish, every detail has been meticulously curated by Channing and the Magic Mike Live creative team especially for the women of Australia.

Co-director and choreographer Alison Faulk has a successful career as a dancer in film and television, working with artists including Janet Jackson, Britney Spears, Miley Cyrus and Missy Elliott.  Her choreography credits include P!NK, Madonna, Jennifer Lopez and Ricky Martin; she also choreographed both Magic Mike films along with Associate Directors Teresa Espinosa and Luke Broadlick.

With a three-story glass lobby, beautiful custom bars, a mini food hall, an indoor/outdoor lounge area and a special photo gallery curated by Channing, the venue becomes a character in this unparalleled evening of sultry entertainment.  With a cast of 20 world class performers and 15 of the most talented male dancers in the world, Magic Mike Live unfolds in front of, behind and above the audience, enveloping patrons in an unforgettable, 360-degree, whirlwind of dance, comedy and extraordinary acrobatics.

BOOKING INFORMATION

MELBOURNE             Tickets On Sale at 1pm Tuesday 3 December

Venue                           The Arcadia, Birrarung Marr

Season                          From Tuesday 26 May 2020

Times                            Tuesday & Wednesday at 7pm

Thursday, Friday & Saturday at 7pm and 9.30pm

Sunday at 5pm and 7.30pm

Prices                            Tickets from $75 (Transaction fees apply)

Bookings                       Ticketmaster.com.au or 1300 795 267

Groups Bookings          10 or more, [email protected] or 1300 889 278

 

SYDNEY                       Tickets On Sale at 1pm Tuesday 3 December

Venue                           The Arcadia, Entertainment Quarter, Moore Park

Dates                            From Thursday 19 November 2020

Times                            Tuesday & Wednesday at 7pm

Thursday, Friday & Saturday at 7pm and 9.30pm

Sunday at 5pm and 7.30pm

Prices                            Tickets from $75 (Transaction fees apply)

Bookings                       Ticketmaster.com.au or 1300 795 267

Groups Bookings          10 or more, [email protected] or 1300 889 278

 

MEET & GREET          A $40 backstage Meet & Greet add-on is available with any ticket purchase and includes a professional photograph, a Magic Mike cocktail, a souvenir program, a VIP lanyard and a backstage meet & greet with select members of the cast immediately following the show.

PERTH & BRISBANE

 Waitlist NOW – visit MagicMikeLive.com.au to join our waitlist and receive priority access to tickets when they go on sale.

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