Jan
21
Tue
MURDER FOR TWO
Jan 21 – Jan 31 all-day

Antipodes Theatre Company is pleased to announce auditions for the upcoming Australian premiere of Murder for Two, a killer musical comedy with music and lyrics by Joe Kinosian and book and lyrics by Kellen Blair. Performances will run 21-31 May 2020 at Alex Theatre–St Kilda in Melbourne. Rehearsals will commence 27 April 2020 and will be scheduled based on actor availability. This is an independent theatre production that will adhere to MEAA guidelines. Performers will be remunerated on an honorarium basis. For more information or to schedule an audition, please send headshot and CV to [email protected]. Auditions are by appointment only. Submission deadline: 31 January 2020.

SYNOPSIS

Two performers play over a dozen roles (as well as the piano) in this witty and winking homage to old-fashioned murder mysteries that The New York Times calls “an ingenious miniature musical in the form of a snazzy vaudevillian double-act.” In this hilarious whodunnit, shots ring out at the surprise birthday party of Great American Novelist Arthur Whitney. With the nearest detective an hour away, Officer Marcus Moscowicz jumps at the chance to prove his sleuthing skills amidst an array of colourful suspects. For more information about the show, visit antipodestheatre.com.

PRODUCTION TEAM

Director: Lauren McKenna (Dreamsong, Puffs)

Musical Director: David Butler (Ghost Quartet, Falsettos)

LIST OF ROLES

MARCUS MOSCOWICZ (Male-identifying): An ambitious young officer hoping to make detective. He provides voices for two characters in flashback, THE CHIEF (Marcus’ grizzled boss) and VANESSA (Marcus’ former partner).

THE SUSPECTS (Male- or female-identifying): This versatile actor plays a variety of characters, including: DAHLIA WHITNEY (the victim’s loopy widow); MURRAY & BARB FLANDON (the Whitney’s bickering neighbors); STEPH WHITNEY (an overeager grad student); BARRETTE LEWIS (a self-incriminating ballerina); DR. GRIEF (a friendly local psychiatrist); TIMMY, YONKERS, & SKID (members of an antiquated boys’ choir); and HENRY VIVALDI (a late arrival).

AUDITION REQUIREMENTS

Both actors must be proficient at playing the piano. Anyone auditioning will be asked to self-accompany an excerpt from the show (sing and play piano), as well as prepare a comedic/character song of their choosing (for which an accompanist will be provided). We will provide sheet music and sides upon successfully scheduling an audition time. Antipodes Theatre Company encourages participation by all ages, genders, races and ethnicities.

GUIDELINES FOR SUBMITTING

Music rehearsals for Murder for Two will take place 27 April–3 May 2020 at David Butler Studio in Brunswick. Check-ins with the musical director to go over the piano accompaniment will be encouraged prior and scheduled based on actor availability. From 4–17 May 2020, we will rehearse 5 days per week (location TBC). Actors will need to be available all day (10am-10pm) 19-21 May 2020 for technical rehearsals and invited dress at Alex Theatre (Level 1, 135 Fitzroy Street, St Kilda VIC). Regular performances will take place 21-31 May 2020 at Alex Theatre with the following performance schedule: Thursday and Friday at 7:30pm; Saturday at 2pm & 7:30pm; Sunday at 1pm & 6:30pm. Rehearsals will be scheduled based on actor availability. This is an independent theatre production that will adhere to MEAA guidelines. Performers will be remunerated on an honorarium basis. For more information or to schedule an audition, please send headshot and CV to [email protected]. Auditions are by appointment only. Application deadline: 31 January 2020.

BIOGRAPHIES

Lauren McKenna (Director) has worked Australia-wide as a director, performer, creative collaborator and acting coach.  Recently, Lauren toured with Puffs (TEG Live) as both Resident Director and performer.  Selected directing credits: DreamSong the Musical (EbbFlow Theatre),  MAD WORLD (David Butler Studio), Songs for a New World (Brisbane Academy of Music Theatre), and the world premiere of Aeneas: The Musical (Melbourne’s Recital Centre). Selected performance credits: Martha/Ms. Fleming in Heathers (Hayes Theatre, Sydney Theatre Award for Best Newcomer 2015), Tracy Turnblad in Hairspray Arena Spectacular, Jan in Grease (Harvest Rain), and Rose Smith in Meet Me in St. Louis (Hayes Theatre). coachmelauren.com

David Butler (Music Director) is a graduate of the VCA (Voice) and a freelance performer, musical director and vocal coach based in Melbourne. He is director of David Butler Studio, liaises with the Melbourne Voice Analysis Centre in rehabilitating damaged voices, and is a casual lecturer in Musical Theatre for VCA. Musical direction credits: Ghost Quartet (Antipodes Theatre Company), Falsettos (StageArt, Green Room Award nomination) and Into The Woods (Bottled Snail). Recent performance credits: Ghost Quartet, Mad World, Woman: It’s a Mother of a Cabaret, From: New York, For: Him, Faure’s Requiem, Handel’s Messiah, Rossini’s Petite Messe Solenelle, Purcell’s Dido & Aeneas and King Arthur.

Antipodes Theatre Company (Brandon Pape, Artistic Director) seeks to provide a collaborative and diverse environment for producing independent theatre in Melbourne. ATC strives for inclusive hiring practices through a commitment to at least 50% of all roles filled by women, people of colour, people with disabilities, trans and gender non-conforming people, seniors, and other members of historically or culturally marginalized communities.

Feb
1
Sat
Urinetown
Feb 1 – Feb 2 all-day
Urinetown
About Auditions. Urinetown – Audition Information. BottledSnail Productions is excited to announce auditions for the Broadway hit, Urinetown, coming to Chapel off Chapel in June 2020.. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets.
All audition information & booking form can be found here:
Feb
2
Sun
Anne & Gilbert A Musical
Feb 2 all-day

Anne & Gilbert

A Musical

Book and Lyrics by Jeff Hochhauser

Music and Lyrics by Bob Johnston and Nancy White

Based on the novels Anne of Avonlea and Anne of the Island by L.M. Montgomery

 

Director- Debbie Keyt

Musical Director- Rhonda Vaughan

Choreographer – Brontee French

Designer and Producer- Lynda French

 

Auditions Sunday 2nd February 2020

Beaumaris Theatre

82 Wells Road Beaumaris

 

Synopsis

Set in the village of Avonlea and at Redmond College in Halifax, Anne and Gilbert follows Anne’s journey to young adulthood and her romance with high school academic rival, Gilbert Blythe. Gilbert is in love with Anne, but she seems to be immune to his declarations of love. In the end, Anne realizes what everyone else already knows: that Gilbert is the love of her life.

Act 1 is set in Avonlea, a small village on Prince Edward Island in the Canadian Maritimes in 1881.

Act 2 is mostly set at Redmond University in Halifax in 1882.

 

“Anne and Gilbert is a marvel.” – The Toronto Star

 

“When the curtain fell, I was disappointed to see it all end.” – Variety

 

“Anne and Gilbert [is a] treasure of a show. A timeless and eloquent love story filled with charming characters and beautiful music.” – Lennie Macpherson, Guardian

 

“It is funny, charming, and musically and visually sensational. Writers, Jeff Hochhauser, Nancy White, and Bob Johnstone…have succeeded in grand fashion. Refreshingly modern, Anne & Gilbert is magically artistic, and oh so romantic!” – The Buzz

 

“Heart-warming, tear-inducing, thoroughly satisfying” – The Halifax Chronicle Herald

Season Dates

Friday 22nd May 8 pm, Saturday 23rd May 8 pm, Sunday 24th May 2 pm,

Friday 29th May 8 pm, Saturday 30th May 8 pm, Sunday 31st May 2 pm,

Thursday 4th June 8 pm, Friday 5th June 8pm, Saturday 6th June 8 pm

 

Rehearsals

Monday and Wednesday evenings 7.30- 10.30 pm

Sunday afternoons 2.00 – 5.00 pm

 

Character Requirements

Anne Shirley– Stage age 19-20. Anne of Green Gables is a beautiful, imaginative, fiery redhead who is charming, impulsive, charismatic, devoted and very intelligent. Wise beyond her years about everything and everybody except Gilbert. Vocal range Mezzo Soprano G3 – F5

 

Gilbert Blythe- Stage age 20. The best looking and smartest young man in Avonlea. He is charming, dashing, kind, caring, funny and deeply in love with Anne and determined to win her love. Vocal range Baritone / Tenor B2 – F#4

 

Marilla Cuthbert- Stage age 50’s. Anne’s guardian. She is honest, hardworking, loyal and somewhat cantankerous. Although easily irritated, her years with Anne have brought out her warmth and humour. Vocal range- Alto

 

Mrs. Rachel Lynde- Stage age 50’s. Avonlea’s busybody and gossip. A loveable know- it -all and Marilla’s lifelong, dear friend. Vocal range- Alto

 

Josie Pye- Stage age 20. As close to you can get to a bad girl in Avonlea. Sassy, funny and good-hearted underneath her bluster. Vocal range Mezzo Soprano.

 

Philippa Gordon- Stage age 20. A beautiful and sophisticated if somewhat giddy heiress. Vocal range Mezzo Soprano

 

Moody Spurgeon MacPherson- Stage age 20. A goofy suitor of Anne’s who wants to be a minister. The actor in this role must play Celtic style on the fiddle/violin.

 

Roy Gardner- Stage age 22. A handsome and very wealthy college boy. Roy is accustomed to getting everything he wants and he wants Anne.

Diana Barry- Stage age 19. Anne’s bosom friend and kindred spirit. Diana is optimistic, hopeful, sweet, adorable, loyal, devoted and very down-to-earth. The actress who plays Diana will double as a Redmond Student. Vocal range – Mezzo Soprano G3 – D5

 

Paul Irving- Stage age 13. Anne’s favourite pupil. Polite and very smart and desperate to fit in

 

Anthony Pye- Stage age 13. Anne’s least favourite pupil who is usually in trouble.

 

Mr Sloane – Stage age 50’s. Good, honest and respectable, but also known to be disagreeable. The actor who plays Mr Sloane will also play a ‘starchy’ head-waiter, the Reverend, Station Master and Professor.

 

Alec and Alonzo- Two rich, spoiled and indulged college boys in their 20’s and who are both madly in love with Philippa. Good comedy roles. One actor will double the role of Diana’s fiancée Fred Wright and the other an Avonlea pupil.

 

Avonlea & Redmond Students- to be played by teenage performers 13 years and older

 

Audition Requirements

Auditions will be 10 minutes in duration and each audition hopeful will be required to:

  • Sing a ballad or upbeat musical show tune in the style of the show or character you wish to audition for that shows off your vocal capabilities
  • Be familiar with and convincingly deliver one of the monologues below for the character you wish to audition for
  • Auditionees will be shown a short dance sequence to learn and perform. Please bring character shoes or lace up dress shoes for gents.
  • The actor auditioning for Moody should bring his violin to the audition and play a piece of his choice.

 

We are looking for a cast who are talented, passionate, enthusiastic, committed, diligent, reliable, punctual, prompt and loyal performers who love being part of a cohesive theatrical team and will work hard with devotion to bring the beautiful love story of Anne & Gilbert to life in all its marvellous splendour.

Please contact Director Debbie Keyt with any inquiries- [email protected]

 

Audition dialogue

Anne

WHY do they do it? Why does half of Avonlea insist that Gilbert and I are in love? Well I am sorry to disappoint you and over half of Avonlea, but Gilbert is a good chum. That’s all! And I’m not blushing and if I am it doesn’t mean I’m in love, it means I’m embarrassed. I could never love Gilbert Blythe.

I am very grateful to him of course, what he did was a very generous thing- he gave up the teaching position here in Avonlea so I could be closer to Marilla, but honestly, he is so egotistical sometimes and he thinks he knows exactly what a girl wants to hear but he doesn’t’ have the SLIGHTEST IDEA. There is more chance of me marrying THAT TREE than Mr Gilbert Blythe.

 

Gilbert! What are you doing?! Don’t say it Gilbert- I beg of you, please don’t say it. If you’re about to ask me to become your wife I just can’t and you’ll spoil everything. I don’t care for you in that way. I do care for you a great deal as a friend. But I don’t love you Gilbert. It’s impossible for me to give you any hope and I can never love you in that way and I beg of you never to speak of this to me ever again.

 

Gilbert has just given me these letters…that belonged to my parents. I don’t know what to say, and that would be a first…. (Reading a letter) To Miss Bertha Willis. Her maiden name was Willis! Well! ‘My dear Miss Willis’ they must have just met. ‘My dear Miss Willis, it’s hard to explain who I was before I met you but I thought I was alone and you thought you were too. I had good friends and a very nice life, but I never thought I’d have a wife, but then we met and we danced and I knew that love was possible and I never thought that could be.

(Anne picks up another letter and starts reading) ‘Walter darling, I hope I’m not being too foolish, writing you a letter while you sleep so beautifully not three inches away from me and perhaps I’ll get to say these things to you a hundred thousand more times (Anne is devastated to realise the letter is a goodbye) But I feel my strength slipping further and further away. I truly don’t expect to see the sunrise again. You’re so ill yourself and I haven’t the heart to wake you especially since there’s truly nothing to be done.’

(Anne picks up one final letter and is very emotional)  ‘To Anne from Dad. Dear Anne, it’s hard to explain who we were with you here on my knee and  I know you’re going to blossom and grow and we wanted to see that, but unfortunately that is not meant to be and God has changed his mind. Anne please listen well and I want to tell you a heart is earned and I’ve learnt that love is possible. I love my daughter and my wife and I hope that love is stronger than my life…’

 

Gilbert

All right Anne- let me have it. I went behind your back and I didn’t consult you first. But I know if I had asked you before I did it you would have said ‘don’t you dare under any circumstance’. But hear me out, I can come home from White Sands every night because I have a horse. You, rather appropriately, only have a mule!’ Now please don’t yell at me as I think it was rather a generous thing to do on my part and I know you won’t be altogether pleased especially as it’s me who’s coming to your rescue.

 Anne, please don’t be cross and hear me out as I would like to make a wager. I’ll bet my lucky gold piece that my Dad gave me when I was sixteen just as his Dad gave to him that I will propose marriage to you at some future moment of my choosing. If you say ‘no’ you have my word of honour, I will NEVER ask you again and I’ll give you my lucky gold piece too. All I want in return Anne is your heart. That’s all I’ve ever wanted’

 

(Gilbert drops to one knee)  Anne there is something I have to ask you and things have gone on like this long enough. Anne, I love you, you know I do. I- I can’t tell you how much. Will you promise that one day you will be my wife? I know you care for me and all I’m asking is that you can give me some hope that one day you will care for me as much as I care for you….

 

(Gilbert hands Anne a small parcel) Let me give you your birthday present. I had to make a courier trip to Bolingbroke last week and I had some free time before my train back and I did a little detective work. The house you were born in, 235 Belvedere Lane has been torn down. The lot was owned by an old man across the street and he remembered the Shirley’s- he even remembered you. He said you were the loudest baby he ever heard. I told him you haven’t changed much. He still had these letters left behind after your Mum and Dad passed on. One is from your Dad to your Mum. One is from your Mum to your Dad and the last is from your Dad…to you. Happy birthday Anne.

 

Marilla

Reading a letter she’s written to Anne

Dear Anne, the weather’s been fine since you left and not a trace of frost in the milking pail. I have to say, I’m glad Rachel’s here and who’d have thought we’d get on so well.

Anne there’s something I’ve been holding back, it’s a very old tale and I think it’s time to tell.

As you know I’m not one to give advice about matters of the heart but when I think of you and Gilbert, old wounds open up. Once upon a time I was young like you and I know it’s hard for you to picture me as the young ingenue. There was a man, you could call him my beau and I made him leave.

We had bitter words and I forget what they were now and I was so full of pride that I showed him the door. My tongue was sharp and I hurt him so and all my life I’ve wished things were different, but my stubborn pride overshadowed all else. Open your eyes my dear Anne and see the man who is waiting for you. He loves you and he is your friend. I know you probably won’t listen to my dusty old story and I know it’s dated now but let me tell you stubbornness can lead to a very bad end.

Don’t make the mistakes I did and don’t let Gilbert slip away, if he weds another I promise you it will break your heart and you’ll never stop paying for foolish mistakes. You’re meant to be together and everyone can see that. I beg you not to turn his love aside because it will melt like fallen snow. Believe me when I say Gilbert is destined for you my dearest Anne.

 

 

 

 

Rachel Lynde

Anne of Green Gables- the fiery little red head is now Miss Shirley! Anne, let me give you a very good piece of advice you have to whoop one of your pupils as an example. The first one that acts up, you show your class a whooping they won’t forget. Our teachers always whooped a student on the first day of school, you ask Marilla, she’ll tell you. It was usually one of the Pye’s but come to think of it one year it was Marilla herself! She was passing love notes with her beau, John Blythe. But Anne Shirley, never you mind about what’s none of your business. You stop in the woods and lay in a supply of switches. Spare the rod and spoil the child. I know you are a stubborn girl Anne and we’ll see, some day you’ll get riled up. People with hair like yours are desperate apt to get riled. You mark my words!

 

Josie Pye

Hello Mr Blythe. Hello Gilbert. Hello Gil. I just happened to be passing by and it’s so nice to find you here and in fact it’s quite a little thrill. There you are giving me the eye, why you’re making me blush. You’re looking very handsome today my old pal. I always feel such joy seeing you.

Gilbert why don’t you face facts, you’re pining for Anne Shirley and she doesn’t care a fig for you. I could erase that sad look on your face. Let’s just say that I’m the kind of girl that would do what Anne would never do…

 

Philippa Gordon

Let me introduce myself, but I’m sure you already know who I am as my reputation always proceeds me. I am Philippa Gordon, but you can call me Phil and as you know I am obviously the richest girl on campus. I hail from Bolingbroke, Nova Scotia and the only fun in town is me and I’m here!

I know too much about my family and Daddy and my brothers were dead set against me going to university. Somehow they have the idea that I’m boy mad, but then when I won top of the class in my senior year, well what else could Daddy do? Say, did you happen to notice the two boys who’ve been hound-dogging me all day? They are not fortune hunters, mind you they are both from top notch families and they followed me all the way from home and enrolled at Redmond and everything. I don’t love either of them, in fact I couldn’t love anybody: it isn’t in me. Being in love makes you a perfect slave I think- don’t you?!

 

Moody Spurgeon MacPherson

Anne, can I talk to you please and I don’t want you to say anything until I’m finished. Anne, everyone in Avonlea says you are going to end up Mrs Gilbert Blythe and I know you don’t believe that and I believe you. No one else does, but I do! So prove it Anne by saying you’ll be Mrs Moody Spurgeon MacPherson AND before you say no…I want you to know that I’m going to join the ministry and that is a very respectable vocation and what could be more respectable than being a Reverend’s wife?

I’m also giving up playing the fiddle because it isn’t dignified. I have to be dignified if I’m going to be the next minister here in Avonlea. Think of it Anne, you, me and a manse!

 

Roy Gardner

Pardon me Miss and please forgive my boldness, but I see that you are not the least prepared for the downpour that is about to start and here we are. Here are you and here am I and may I offer my umbrella? You look very familiar in fact I’ve seen you laughing with your friends on campus, but how could that be, because how could a scholar look SO lovely.

It seems to me that your eyes are like starlight and of course I am not a poet but your smile is like heaven. Oh you must think me so ill-mannered because I haven’t introduced myself. My name is Roy. Roy Gardner and you are Anne Shirley. Anne with an ‘e’.

I know you come here often and I’d love to take you dancing. I feel I’ve know you such a long time. May I be so bold as to ask you if I may walk you to your door?

 

Diana Barry

My darling bosom friend Anne, more than half of Avonlea knows, if not all of Avonlea that Gilbert Blythe is in love with you and you are in love with him. Look at you, you’re blushing and you always blush when anyone ever mentions Gilbert’s name and the sooner you admit that you are in love the happier you will be.

Anne, I’ve also been thinking about your beautiful short story, ‘Averil’s Atonement’ and I think you should enter it in the Rollings Reliable Baking Powder Literary Competition. Before you object you could slip a word or two into your story about the product as it really is excellent baking powder and I believe it’s my favourite story you’ve ever written and so truly romantic all except for the part about Averil being an old maid for 60 years until she meets her dream man. That might be alright for you as you are always going to be divinely slim. I’m going to be fat. My mother is fat and every single one of my aunt’s is fat too. There is nothing romantic about a fat old maid.

Anne you really wouldn’t wait 60 years for some ideal man- Gilbert seems like an awfully good compromise to me!

 

Paul Irving

My name is Paul Irving and I come from the Boston States. History is my best subject and my favourite poet is Yeats. My grandmother keeps telling me “Paul remember you’re in Avonlea now and people aren’t quite as outspoken here as in America”. Grandmother has obviously never met you Miss Shirley.

Avonlea is so different from Boston, but it’s where my Father grew up and my poor little Mother is buried here.

 

 

Anthony Pye

Miss Shirley says ‘Paul is so sweet’ (mimicking) Paul is SO sweet! Silly teacher’s pet. I’ll teach him a lesson. I’ll put my pet snake Napoleon in Miss Shirley’s desk and blame it on Paul. That’s what I’ll do. She’ll never know it was me and my Mother said Miss Shirley would never whip a pupil because ‘she wouldn’t sink so low to strike a child’. That’s what I’ll do and he won’t be the teacher’s pet anymore!

 

Mr. Sloane

Mr Blythe I am extremely disappointed in you, leaving Avonlea in the lurch only one week before school starts. Where is your loyalty? I can’t believe because the White Sands School has offered you substantially more money you cannot afford the pleasure of teaching in Avonlea, even if you do have to save the tuition to attend university next year. What are we to do? I know you said Anne Shirley is available and Rachel Lynde says I am being ‘Sloanish’ if I don’t hire her, so I’ve made my decision. Gilbert! You’re fired! Is that un-Sloanish enough for you Rachel Lynde?

 

Head Waiter at Redmond- WHAT is going on around here? McPherson, you’re fired. Oh I didn’t see you there Miss Gordon. McPherson, I was just kidding.

Blythe! I’ve never had a problem with you before! Take care of your tables now or you’re fired! Mr. McPherson, you’re doing a great job

 

Alec & Alonzo

I ‘m madly in love with Philippa Gordon and intend to make her my wife. She is beautiful, rich, kind, wise witty and alluring. She is also cruel, blind, mean, torturous and utterly mesmerising.  I worship the ground she walks on and I’m totally faithful and loyal to her and stick to her like glue- why I even gave up my own hopes and ambitions to follow her here to Redmond College. My heart aches and yearns for her and my eyes burn for her. What is a fellow to do?!

 

Avonlea & Redmond Pupils

Harvest is ended and summer is gone and everything in the landscape speaks of autumn. The sea is roaring hollowly in the distance, the fields are bare and sere, scarfed with golden-rod, the brook valley beneath Green Gables is overflowing with asters of ethereal purple, and the Lake of Shining waters is blue-blue- blue; not the changeful blue of spring, nor the pale azure of summer, but a clear steadfast serene blue, as if the water were past all moods and tenses of emotion and has settled down to a tranquillity unbroken by fickle dreams.

Feb
7
Fri
BEAUTY AND THE BEAST
Feb 7 – Feb 8 all-day
BEAUTY AND THE BEAST

BEAUTY AND THE BEAST

@ THE MALTHOUSE THEATRE
MELBOURNE

 

WE ARE THE GATEWAY BETWEEN YOU AND THE PROFESSIONAL THEATRE INDUSTRY

A learning opportunity for aspiring performing artists!

.

Featuring workshops and coaching by top industry professionals in stage, acting, singing and dancing.

SPECIAL GUESTS ANNOUNCED SOON!

 

AUDITIONS

The Dancehouse, North Carlton

Friday 7th February @ 7pm – DANCE CALL – ALL AUDITIONEES EXPECTED

Saturday 8th February, Sunday 9th February – individual auditions

Sunday 9th February @ 6pm – CALLBACKS

 

BOOK YOUR AUDITION NOW @ https://beautyandthebeast2020.as.me/

 

13 week training course with 4 performances.  Show week 18th May. Cost $550 per person.

 

Rehearsals Schedule:

 

Wednesday 19th February
Wednesday 26th February
Friday 28th February – just junior ensemble and leads

Wednesday 4th March
Friday 6th March – just junior ensemble and leads

Wednesday 11th March
Thursday 12th March
Wednesday 18th March

Thursday 19th March
Friday 20th March – just dance troupe
Saturday 21st March
Sunday 22nd March
Sunday 29th March

Wednesday 1st April

Thursday 2nd April

Friday 3rd April

Saturday 4th April

Sunday 5th April

Wednesday 8th April

Wednesday 15th April

Sunday 19th April

Wednesday 22nd April

Wednesday 29th April

Friday 1st May

Saturday 2nd May

Friday 8th May

Saturday 9th May

Sunday 10th May

Friday 15th May

Saturday 16th May

Sunday 17th May

 

(Junior ensemble rehearsal will mostly take place separately from the rest of the cast until closer to show week. Full schedule will be given to the cast once casting is complete.)

 

SHOW WEEK
Monday 18th May – Saturday 23rd May

The Malthouse Theatre, The Beckett Theatre, Southbank.

 

Roles:

 

Belle – female – stage age 20-25
Beast – male – stage age 30-40
Gaston – male – stage age 30-40
Maurice – male – stage age 55 – 65
Cogsworth – male – stage age 40 – 55
Mrs Potts – female – stage age 45 – 55
Lumiere – male – stage age 35 – 45
Chip – male – stage age 7 – 10
Babette – female – stage age 25 – 35
Madame De La Grande Bouche – female – stage age 40 – 55
Lefou – male – stage age – 25 – 35
Monsieur D’arque – male – 35 – 55
Dance Troupe
Ensemble
**Junior Ensemble – stage age 8 – 12

**The junior ensemble will not be required at every rehearsal.

be yourself –  build your individuality – develop your talents

 

Beauty and the Beast @ The Malthouse Theatre is proudly produced by Wendy Samantha Productions

 

Feb
16
Sun
Let the right one in
Feb 16 all-day
Let the right one in
AUDITION NOTICE – Let The Right One In
1812 Theatre in association with Redfox3 presents
Let the Right One In
Based on the novel and film by John Ajvide Lindqvist
Adapted for the stage by Jack Thorne
Directed by Justin Stephens
Playing 4 – 19 September 2020
Auditions Sunday 16 February at 11am
1812 Theatre 1-3 Rose Street Upper Ferntree Gully
THE PLAY
Oskar is a lonely bullied teenage boy living with his mother on a housing estate at the edge of town. Eli, a girl who has just moved in next door, doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two quickly become devoted friends. What Oskar doesn’t know however, is that Eli has been a teenager for a very long time. As their friendship deepens, a series of sinister killings shock the neighbourhood.
Jack Thorne’s adaptation of Let the Right One In is based on the novel by John Ajvide Lindqvist (Låt den rätte komma in, 2004) and the subsequent Swedish-language film version). A 2010 British-American remake of the film entitled ‘Let Me In’ followed, with both films and achieving cult status and equal critical acclaim.
THE DIRECTOR
Justin is one of Melbourne’s most experienced directors with a flair for cinematic and delivering high quality productions around Melbourne.   Justin has a collaborative approach working closely with each team member to share a clear vision for each production.
AUDITIONS AND REHEARSALS
The play will be set in a suburb in Stockholm, Sweden, in the early 1980s.   I do not require anyone to use an accent at the audition.  Accents will be discussed, coached and introduced during the rehearsal process.
I would like to encourage as many people to audition as possible, including newcomers to 1812 Theatre and Redfox3.  I am looking to find a group that are dedicated and hard-working that work as part of a team.
Rehearsals will be at 1812 Theatre taking place through June and July 3 days a week with one day on the weekend.   We will do a read through early in April to discuss characters ahead of line learning.  All lines will need to be down by 1st rehearsal.  This will allow focus to be on the physical work and character development.  All younger roles may be aged up to suit final casting.  While there are physical parts to this production featuring violence and blood the focus will be on the love between Oskar and Eli as their friendship grows.
To express your interest in a role please email the director via [email protected].   You will be sent a copy of the audition pieces.
THE ROLES and Audition Pieces.
ELI: (F) Seems like an (admittedly perhaps rather eccentric) 12-year-old girl, is in fact a centuries old vampire. Extremely agile. Can seem somewhat cold and distant, but their relationship with Oskar exposes a warmer side of their personality.   Will likely cast between ages 16-22.   A background in dance/gym/acrobatics is highly desirable, but not essential. (Act 2 Sc 3 & Act 1 Sc 7 & Act 1 Sc 14 & End of Act 1 Sc 12 & Act 2 Sc 18)
OSKAR: (M) A fairly typical lonely, bullied 12-year-old. His troubled home life and struggles with school bullies render him a quiet and vulnerable boy. However, again, his relationship with Eli draws out a soft, playful, and also resilient aspect of his character.  I expect to cast between ages 16-22. (Act 2 Sc 3 & Act 1 Sc 7 & Act 1 Sc 9 & Act 2 Sc 13 & Act 1 Sc 4 & Act 1 sc 15 & Act 2 Sc 18)
HAKAN (M): Sort of Eli’s guardian. Neighbour’s believe him to be her father, but this is not the case. He loves Eli very deeply, and consequently kills people for blood to feed her. A somewhat questionable guy.  Physically strong person required.  Age range 40s-60s. (End of Act 1 Sc 12 & Act 1 Sc 14)
JONNY: (M) A classic school bully. Enjoys making Oskar’s life miserable. Not really a nice person. Will likely cast between ages 16-22.  (Act 1 Sc 9 & Act 2 Sc 18)
MICKE: (M) Jonny’s sidekick. Joins in bullying Oskar, but with less relish than Jonny. There is a sense that the two have probably been friends at some point, but Micke has decided to join the winning side in becoming a bully, probably at least for reasons of self-preservation. Will likely cast between ages 16-22.  (Act 1 Sc 9 & Act 2 Sc 18)
KURT (M): A world-weary sweetshop owner who doesn’t really have much time for annoying children, but still looks out for Oskar a little and regards him with sympathy. This is a multi-role part also playing Jocke/Nils/Dad/Stefan. Age range 30s-50s. (Act 1 Sc 4, Act 2 Sc 13)
HALMBERG (M): Policeman, thoroughly perplexed by the goings-on but trying his best to keep everyone safe and calm. This actor would also play Mr Avila. Age range 30s-50s. (Act 1 Sc 8 & Act 1 sc 15)
JIMMY: (M) – Walking testosterone. The bully to end all bullies. Even scarier than Jonny. This is a multi-role part also likely playing Torkel and Janne. Age range 20s-early 30s. (Act 2 Sc 18)
OSKAR’S MUM (F): (THIS ROLE HAS BEEN CAST) Long-suffering alcoholic. Most likely loves Oskar and is well-meaning, but struggles with looking after him and resents his father’s post-divorce lack of involvement in his life.