Disney's Beauty and the Beast
Presented by: BLOC Music Theatre
Venue: Her Majesty's, Ballarat

Reviewer: Michelle Rogers
Date Reviewed: 31st May 2008

Once Upon a Time in a faraway land, a young prince lived in a shining castle.

So begins BLOC’s production of Beauty and the Beast. This entertaining show was truly one the whole family could enjoy – little children giggled, while some of the older audience members, such as myself, had more than one tear form in the eye – the fairytale beauty and romance of this story took me back to the magic of being a child discovering the joys of indulging in a good fairy tale, while the humour and creativeness of the show added another delightful dimension.

Beauty and the Beast is of course, the story of the unconventional Beauty named Belle, and the lonely Beast, hidden away in his shining castle due to his own selfishness.

Carmen Morris seemed to embody Belle, capturing her sweetness, beauty and individuality. Her singing voice was strong and sweet throughout, her moves graceful, her words of love and longing sincere.

Alan Edmondson played the Beast sensitively, presenting a touching character, who certainly bought a tear to this theatre-goer’s eye.

Zoy Frangos was well cast as the narcissistic Gaston, who tries to woo the quirky Belle with his arrogant charms – he amused the audience and flexed his muscles like a good ego-maniac should – it was hard though, to ignore the fact that this strapping young lad’s English accent often faltered into a Hard Yakka brand of Australian speech.

The sets were breath-takingly impressive – obviously some very talented people worked extremely hard to make this show look dazzling! Jim Muller and his sidekick Lyle Quick were in charge of set construction and faced the challenges involved with this show head on. The transitions between sets were silky smooth.

Lynne Muller took care of the costumes as Wardrobe Coordinator – she’s been making costumes since 1976 and it shows – the beauty and intricacy of the costumes was nothing short of stunning.

The principal Candle, Lumiere, was expertly portrayed by Josh Vucicevic – his cheeky flirty ways were funny and delivered smoothly in a va-va-voom French accent.

The whole cast had strong singing voices, carrying the show with apparent ease.

The lighting was effective, providing the audience the direction as to where to focus its attentions during cast-heavy scenes. The audio let the talented cast down during the first couple of numbers, as it was not loud enough, meaning it was slightly difficult to figure out what the characters were singing about.

The lovable Mrs Potts, the teapot, was played beautifully by Julie Stacey - her son Chip, the chipped teacup, was superbly portrayed by the young Fergus McLaren. The two must have bonded over rehearsals as they seem as close and loving as any Mother and Son who have been turned into a tea set could hope to be.

A touching moment was experienced, seeing Beauty and her Beast fall in love as they danced, with Mrs Potts singing the title song in the foreground.  Great coordination and talent was on display, particularly during the song ‘Gaston’, where most of the cast sang and danced, using pewter beer mugs creatively as nifty dance props.

‘Be Our Guest’ was performed with much gusto and charm by Lumiere, Cogsworth the clock (played by Tim Gay) and many other enchanted household items as a finale to Act One – the visual display of dancing napkins, forks, plates and graters, to name but a few, was very exciting and really captured the magic of the story and of musical theatre itself.

Congratulations to BLOC on a great show and also on 50 years of Performance!


Michelle is a musical theatre lover, hooked on viewing and reviewing musicals. She loves writing, grahic design and photography and
would like to make it onstage herself some day! Favourite musicals include Sweeney Todd, Wicked (saw it on Broadway),
The Color Purple, Hairspray and Dreamgirls.

 

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