Boston Marriage
Presented by: Hoy Polloy
Venue:
Mechanics Institute Performing Arts Centre, Brunswick

Reviewer: Angela Ellis
Date Reviewed: 21st September

I looked forward to seeing Hoy Polloy’s production of Boston Marriage. Not only because it was a theatre company that I had not had the opportunity of seeing in production before, but also the Victorian premiere of the play.

A Boston Marriage we are told, was an accepted practice for women in the nineteenth century who were unmarried and in a romantic friendship to live together. This play shows us all the emotions, hypocrisies and conflicts that the alternative to a “traditional” marriage could offer women of a certain social standing in the era.

The stage setup is small but Wayne Pearn has done a marvellous job in bringing Boston Marriage to the stage and making it larger than life. As soon as our first two characters walk on to the stage this tiny lounge room became quite large and other rooms in the house could all of a sudden be imagined. The hard work that Wayne, as a director, has put in is obvious from the go and should be highly congratulated.

Wayne has also put together a highly capable production team with lighting and sound (aptly handled by Stelios Karagiannis and Chris Milne) kept to a minium and not overshadowing any part of the play that does not require it. Set design by Paul King and set decor also by Paul King and Wendy Drowley was also handled extremely well.

The costumes by Wendy Drowley, captured the era effortlessly. From the poor maid’s drab brown and white uniform to the more over-the-top blues and silvers of her employers, the costumes were beautifully put together and allowed the actors to wear them as though this is the style of the modern day and they had never worn anything more natural. Well done.

The cast of three women worked beautifully together. The play called for quick pace, outstanding comic timing and a through understanding of the script, a feat that was handled with great professionalism.

Helen Hopkins, Corinne Davies and Elenor Wilson cannot be reviewed separately because in my opinion there is not one without the other and all three showed how capable actresses they are. The quick natural flow of the script was beautifully handled. The snappy reportie was fun to listen too and even at times to try and understand. The piece had a rhythm all of its own and it was great fun to watch. All three owned the stage whenever they were on it.

Hoy Polloy’s production of Boston Marriage performing at the Mechanics Institute Performing Arts Centre in Brunswick deserves full houses every night. Congratulations.


Angela Ellis has worked in the industry both professionally and non professionally for 15 years. In this time she has worked in all areas from sound and lighting to stage management as well as being an award winning performer in such productions as Cosi,Much Ado about nothing and Secret Bridesmaid's business.

Angela recently also added Director to her resume with the multi-award winning production of the one act play Henna Night

 

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