'THERE'S ONLY US, THERE'S ONLY THIS.' HOW WELL DO YOU KNOW YOUR THEATRE FRIENDS?

Leah Anderson's picture
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Leah Anderson speaks on how RENT has helped shape her view on theatre friendships.

Take a quick mental inventory of your friends… How many categories can you put them into? Besties, Family, Old friends, New friends, Theatre friends, facebook friends, Party friends, work friends, Old flames, crushes, Gay friends, coffee friends… the list goes on. Now ask yourself, of ALL these people, how many of them could you say you actually know really well? Could you list their fears, passions, a secret from their past, their dreams, their parents/brothers/sisters names, what school they went to, what they wanted to be when they grew up?

On Thursday 30th September, the Cast and Production team of Whitehorse Music Theatre’s RENT came together for their final rehearsal before bump in. We ran the show and did the traditional ‘notes session’ but then we did something a bit special. We spent a bit of time learning about the people we had spent the past few months working so closely with.

Back in July, during the first few weeks of rehearsal, we were asked, by our illustrious director, Paul Watson, to think of something from our own lives that we would like to contribute to the show in the form of a set piece. Any item that symbolizes a dedication to someone we have lost, a demon from the past, a special memory, a tribute to a loved one, or anything else that we would like to offer that enables us to connect with the ‘alphabet city/bohemian community’ we are trying to create on stage. On Thursday, we began the process of sharing those items and stories with the rest of the group.

We heard about Grandparents, friends, traumatic pasts, happy memories, regrets, fears, loves and every other human experience you could possibly imagine. We listened, shared, laughed and comforted, but it wasn’t until it was time to leave that a fellow cast member said something that cut right to the core of what I was feeling… He said:
“Its funny, you get to know Theatre People at their happiest, when they’re on a high from doing a show, but you don’t often find out much about their real lives, You know, the bad times…’
I started to think… Is the Musical Theatre community really just a bunch of ‘Fair-weather friends’? Or in this age of social networking and digital communication, could it be one of the few remaining opportunities for ‘Connection in an Isolating age?’

In 2006, the Oberlin Review described RENT as ‘Jonathan Larson’s Pulitzer Prize winning masterpiece’ but some critics now describe the musical as ‘Dated… Living on only in High School Drama Classes’. I would like to challenge that description. In an age where people are becoming increasingly disconnected from community involvement, where incidents of bullying and exclusion have reached epidemic proportions and where it is possible to chat with people on the other side of the world via the internet, but never learn your next door neighbour’s name, RENT serves as a poignant reminder to create your own community, live each day to its full potential and have no regrets.

That means throwing yourself head first into Musical Theatre if that is what you love! Doing the shows YOU like instead of the newest/most popular/competitive ones. Not caring about reviews – they are just another person’s experience. Care about the experience you had and the memories you have made for yourself! Remember those you have lost and love the people you still have because they may not be here tomorrow…

My challenge to you is to call up an old friend, or a new one you’d like to get to know better and invite them to come and see RENT with you and as you take to your comfy seat in the Besen Centre and get your first look at the huge set, take note of the massive metal tree in the background which is draped with the items that each of us have contributed and then take a moment, with your friend, to share something real about yourself… It’s liberating and hey, you never know – One of your ‘fair-weather’ friends could just move into a closer, more important category…
 

Whitehorse Musical Thatre presents

RENT

Opening this Thursday

Check out our 'Whats On' section for more details.

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About the Author

Having performed in, directed and choreographed many Musicals and plays, Leah has enjoyed a life-long involvement with the performing arts. Career highlights include the 2000 European tour of 'Back to Bacchus', winning a lyrebird award for her first attemptat Musical Direction and appearing in Whitehorse Music Theatre's multi award winning production of 'RENT'. She has worked as a vocal coach, Choir director and professional dancer and also holds degrees in Contemporary arts and Secondary teaching from Deakin University. Leah currently works as a full time teacher of English & Drama.

What a brilliant article.

What a brilliant article. Amazing in every way. Well done.

Beautifully said Leah.

Beautifully said Leah.

Simon Parris's picture

From Brigid B. DeNeefe

Leah, your article touches me deeply and shows that you are open enough to see beyond the surface of people you think you know and I hope readers actually go back to the start of this article and read again and absorb what we can learn from this. Having worked with Paul Watson and other directors who think outside the square, I really appreciate this article because these ‘personal moments’ have been so valuable.

My beautiful mum passed away recently (20 Sept) and I can tell you that TRUE friends really do remind you that they are there to support you and I have to add that a number of these (at least for me) were from theatre. In addition, many non theatre friends were also present in one way or another - old friends, family friends, friends that you consider family, new friends, theatre friends - yes, they know me well, some better than others but each one is part of my journey and growth and each one adds another splash of colour to my own personal rainbow – I know that sounds like a quote from the “hippy” days but I truly believe this and I think I return the same to them.

Isn't it incredible how we work side by side with people for a number of months (or years) and think we know them. It is only when we set aside time to do something independent of the production, that’s not during the hysterical ‘busy’ production week or intense rehearsal weekends that we get to know the real person. These opportunities should be embraced and encouraged by all theatre companies.

Well done Paul Watson and other creative teams out there who take the next step.

Brigid B. DeNeefe

'THERE'S ONLY US, THERE'S ONLY THIS.' HOW WELL DO YOU KNOW YOUR

Leah, that is a stunning article and oh oh so true!

'No Day but Today'

Such a beautifully written

Such a beautifully written piece. Life is absolutely too short to dwell on the 'what ifs' and 'perhap I should ofs.' Follow you heart and live each day like it could be your last. Looking forward to the show!