Feline and Fabulous!
1st July 2008
By Gemma Foster


Kitties will be out past their curfew in Melbourne’s west as Altona City Theatre lick their paws and prepare to open the Andrew Lloyd Webber classic, Cats.  The musical, first staged in London’s West End in 1981, has proven to be a technical and musical treat for the crew in Altona.  I spoke with director and choreographer, Steven McTaggart and producer, Peter Goad as they add the final touches to the Jellicle Ball and make sure the Whiskas is on tap...   

 Steven first performed in the original production of Cats in Hamburg, Germany for over two years, eight times a week.  It was staged by Jo-Anne Robinson, who was responsible for the Australian production that toured nationally.  “I played five different roles in that production, which gave me a broad understanding of the variety of character and plot lines and how the choreography and direction link so closely together,” says Steven.  “It is exciting to hope that I can give the cast the exposure to the original intentions of the direction, choreography and character, whilst at the same time bringing my own perspectives and interpretations of the show as a whole.”

 Steven has spent months preparing and perfecting the feline qualities of his cast and their choreography.  “As a professional dancer, I love the physicality of the production.  I also relish the challenge of delivering such a complex show to my cast, which requires us all to communicate the symbolic and dramatic elements of the storyline.  It is a production where the performers are continuously dancing and acting in their roles, doing both improvised and learnt actions.  There is a great freedom in which performers can elaborate and develop their roles, once they understand the boundaries of their characters.”

 Cats has given Steven the opportunity to both direct and choreograph the one show - a practice becoming more and more common in musical theatre.  “Being both Director and Choreographer gives me greater involvement in how I want the intention of each scene to be expressed, and makes the working process more efficient, even though it is twice as much activity for me. It means that information about sets, costumes, casting etc is easier to assimilate when I am in both roles, and ideas can be developed more efficiently as I only have to seek my own approval!”

 Altona has added a fresh twist to this production,   “Our production is set in a disused and derelict Theatre, as opposed to a rubbish tip, and we have a slightly different mix of roles to maximise the skills and versatility within our cast. I think that one of the strengths of this show is that I am working from the intentions and expressive styles of an original production.  I think that passing on first hand knowledge of the choreography, direction, costuming and musical interpretation is a precious opportunity that will mean a fantastic experience for audience and cast alike.”

 And finally, what have been the highlights of this Cats experience? “I have to say it is working with our cast. It is inspirational to have such a high level of enthusiasm, skill and energy to work with. The highlights of rehearsals are the moments we achieve excellence and unity in our work ...... these moments are very exciting”

 Producer, technical director and Altona committee member, Peter Goad is equally amazed by the Cats cast – “From a very early stage, the singing has been excellent, the dancing has been exciting - sometimes breathtaking - and the entire cast and production team has run like a well oiled machine.  We know we have an artistic success on our hands. We believe that, inevitably with such a brilliant piece, ACT will have a large and very excited and satisfied audience.  Nobody associated with Cats has ever been quite so excited quite so early in rehearsal with any previous production at ACT.”

 Peter also filled us in on the scope and magnitude of ACT’s production.  “Cats is always a difficult show because it does not have the luxury of a cast of humans, a traditional plot nor the traditional theatre format.  What it does have is some beautiful poetry, some enchanting music and the cuteness of cats!  It is normally produced with a feast of dancing and some good singing.  ACT promises some of the best dancing and singing seen in non-professional theatre, combined with powerful characterisations that are rarely seen in Cats productions.  Steven McTaggart has raised the bar to a new level in regards to this show!  The breadth and power are subtly blended with the intimacy and expressiveness in Cats.”

“I can promise that some of the performances will make you weep, some will make you smile, but best of all, some will thrill you with their scope.”

 Now I for one am more of a dog kind of gal, but I will be making the journey across the West Gate to view what promises to be one of Altona’s most exciting projects to date.

 Cats opens Friday 4th July at Altona Theatre.  Check out our What’s On section for details.

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