Whitehorse get Seussified
30th April 2008
By Renée Maloney


 

Imagination

Exciting

Breathtaking

 

These were the words used by Lynette and Chris White to describe
Whitehorse Musical Theatre’s Production of
 


 

“Seussical” is all about imagination. The musical is co-conceived by Lynn Ahrens, Stephen Flaherty and Eric Idle. It is a simple story with recognizable characters from a series of a dozen or more of the children’s books written by Theodore Geisel, (known more widely as Dr. Seuss); written as a cohesive tale of imaginary friends and places such as Solla Sellew, Horton the Elephant and the Cat in the Hat.

When reminiscing on their childhood, Chris and Lynette come from very different experiences. Lynette loved fantasy. She came from recreating stories from her childhood such as the “Magic Fair away Tree” in her bedroom acting out all the characters and then performing them in her garage for the neighbours, whilst Chris was more preoccupied with painting and drawing realistic compositions. Chris wasn’t into imagination nor does he remember growing reading the Dr Seuss books but does remember the next door neighbor’s children having them and distinctly remembers not liking the Illustrations. He discussed the concept the illustrations being very abstract and “deliberately needing filling by
the imagination”.

Chris and Lynette didn’t want to purely recreate these stories from page to stage but use them as a base to build, develop and create characters, emotions and places using the experiences of each of the actors. They said each of the cast members brought life experiences of their own to assist adding to this next dimension and to bring it together as a traditional stage extravaganza. I had the pleasure of watching Chris paint part of the set during that same day at their Bayswater factory and took a look at the model of the finished set and WOW- they have definitely used their imaginations.  

Chris, Lynette and Phil have tried to take the elements of a child’s level of excitement and that feeling of loosing breath and getting wound up the whole way through. They want the audience to have those reactions as well as the cast members giving off that same energy throughout their performances. The books are formerly that of a children’s genre however the musical is multilayered.  On the surface it is this fictional tale of imagination and morality.  Upon it all is this dark, mysterious and meaningful story of non-acceptance. 

Phil Osborne quite vividly remembers “Green Eggs and Ham” and “Fox in Socks” and remembers being quite scared of the “Cat in the Hat”. The production team and the Cat in the Hat himself, Karl McNamara (pictured right), use elements of the two dimensional Cat in the Hat together with different crazy characters he remembers as a child. Karl really wanted to make his character appear larger than normal as everything does when you are a small child. Lynette and Chris wanted him to have this “pocket of sinister behavior” about him and as a team they draw on a wide range of evil and sinister behaviors from other characters which pop up at their appropriate times.

Emily Doran (Gertrude Mc Fuzz), Karl McNamara (Cat in the Hat) and Shaun Kingma (Horton the Elephant) all have brought different qualities to this eclectic puzzle. Emily hasn’t (consciously) drawn on any childhood memories but has drawn on her own childhood behavior and her observations from working with children. However her favourite stories from her childhood along with the “Magic faraway tree” is “Naughty Amelia Jane” – all written by Enid Blyton.

Karl’s memories of his childhood are mostly television based from the children’s programs of “T-Bag” and “Puddle Lane” as well as the cartoon Disney programs that we found on Saturday Morning Disney and the usual Disney movie on Saturday evenings. His exposure to Dr Seuss was through the pictures. Karl’s predisposition to being over enthusiastic really lends it self to the role also.

Shaun Kingma plays a loveable Horton the Elephant that really connects with the audience. They are supposed to feel sorry for Horton as he looses his faith in the world. However the audience is then invited to join him on his journey (with JoJo) as they overcome this depletion in faith and realizes that it is ok to be an individual in both of their worlds. Shaun has said that this role has really extended his acting skills and physicality from Beauty and the Beast whilst finding a balance between child and adult.  Shaun admitted that he struggles to be funny therefore has really searched for the honesty within his character to bring forward comedic qualities rather than try to combine in slapstick.

Seussical is about believing in yourself, keeping promises and never loosing faith in the world.
The Seussical music is a magnificently eclectic mix of music including ballads, up-tempo funkier songs and show stopping sounds.  It is truly going to be a treat for all ages in this musical stage extravaganza not to be missed.

 

 

After all those years of being stuck on a page you can find “Seussical” at the Besen Centre from 17th to the 31st May.

For phone bookings 03 9262 6555 between
10.00am and 4.30pm Monday to Friday.

Book Online through the Whitehorse Centre

 


 

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